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Exiled is really its own thing in the world of action movies. If you’ve grown bored with the recent Hollywood trend of shaky cameras, incoherent action scenes and split second editing, Exiled is a breath of fresh air. If you want to see action that’s clear, coherent, and carries a sort of odd, dreamlike quality, put Exiled on your movie downloads queue.

The story follows a former gangster who ran from his gang after ripping off their boss. Since, he’s gotten married and had a child. The movie begins when the boss sends a pair of hitmen to take him out. This is complicated by the fact that these two were friends with their target, and furthermore, a couple of retired members of the Triad have come to protect their old friend from the other two.

These characters are all friends since their youth, and there’s a sense of warmth and sentimentality as the five characters come to a compromise and decide to honor friendship before duty. They decide to pull off a big score to help support the hero’s wife and child before settling their differences. The result is something much more personal than the usual “It’s Just Business” approach to violence in gangster movies.

This movie comes from Johnnie To, the legendary Hong Kong director who came up around the same time as John Woo and Ringo Lam, in the Heroic Bloodshed era. Where those movies were driven by anger at the Chinese takeover of Hong Kong, Exiled was made after the takeover, when it was shown that things hadn’t changed quite as much as the Hong Kong people were expecting.

The film really feels like a dream, with slow motion shootouts taking several minutes while only carrying about thirty seconds of action were they to be shot in real time. One incredible sequence has a character throwing an empty drink can into the air, and the shootout takes place over several minutes as the can falls to the floor in slow motion just seconds after the final bullet is fired.

The story isn’t always quite as clear as the action, but this actually helps to improve the dreamlike quality of the film. To himself has admitted that he finds the film confusing and still hasn’t quite made sense of it. Watch it for the characters and the action, though, and you’ll be able to appreciate the movie in full.

The genre of Heroic Bloodshed was defined by angry violence, often showing one man up against an army as a parallel to the independent people of Hong Kong and their anger against the Communist China. After Woo and Lam went to Hollywood, Johnnie To stayed behind and redefined the genre on his own terms, turning it into something a little less vitriolic.

Where the classic Heroic Bloodshed films were about anger and revenge, this one is about forgiveness and compassion, and is certainly a unique, one of a kind action film, both exciting and trance like at once.

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